In printing stationery or greeting cards, the maker wants them to have a glossy and smooth finish. This is made possible by an ink that is raised. Nowadays, there is a process followed by designers in enhancing not just greeting cards but also the paper bag, brochures, wrapping papers, packaging, and the like.
Doing this task seems like a simple process. As long as you got thermography powder with you, there will be no problem, provided you knew how to use it. To an inked surface, its grains are applied while the remaining parts are removed by shaking and vibrating the paper itself. Those have the ability to keep intact with wet inks, which is why they must be removed immediately.
It relies dependently on the type of thermographer you are using. You can have the powdered thing that you have been working with by facing it to a conveyor belt upwards. This phase is done to combine the power to the wet ink, thereby producing an embossing effect.
You need to spread its grains while the ink is still good as wet. This is to ensure that the powder sticks permanently and neatly to damp ink. When this melts, both ink and paper will be bonded to it. Its metallic or somehow transparent color and appearance undergo change as it is placed on top of the ink. Hence, its color in the finished product will just follow the color of an ink below it. Despite its transparent color, it is made up of bronze, gold, silver, and glittered ingredients.
As a result, a suitable metal color has dominated. It is said to possess a characteristic which is similar to the effects of embossing. When this is heated, a glossy or shiny surface, which is raised, is formed due to the slight swell and fuse caused by the heat itself.
The rest of this article will explain to you, readers, what are the tips and factors that you should not take for granted when using this thing. Always remember that usage of something has limitations. For easy understanding, you will be acquainted with two general factors which include the selection of printable mediums or papers and manipulation in heat application.
The first factor which you have to consider, in general sense, is the paper itself. It is the medium which you will be using. This is why it is a top consideration. When you are talking about texture, a smooth paper is the best one to work on. Using it results in the best output. A grained paper may be a good idea, should you want to have an artistic merit, but reproducing such design or pattern which you were creating in other grained papers requires consistency. Maintaining such consistency is way too difficult.
Selecting the type of printable paper to use, Part Two. This part pertains to what the printables are made of. While using those that are made without pores, holes, and loose parts are the best ones to use, those with fibers or strands that are obviously loosed is the worst thing to emboss with for a powder will occlude in the surface, producing a low quality output. For the gummed ones, though they are guaranteed to be thermographed, have them tested before heating it to know whether or not its surface could survive heat for long periods.
Adjusting the settings and speeding it using a conveyor that comes with a belt, you can already control the heat which will be applied. It is dependent on factors like the humidity, thickness and texture of the printed paper or material, coarseness of a powder, a voltage supplier of electrical energy, and many others. Testing is done to determine the amount required for heating, provided that all of those mentioned factors are taken into careful consideration.
Doing this task seems like a simple process. As long as you got thermography powder with you, there will be no problem, provided you knew how to use it. To an inked surface, its grains are applied while the remaining parts are removed by shaking and vibrating the paper itself. Those have the ability to keep intact with wet inks, which is why they must be removed immediately.
It relies dependently on the type of thermographer you are using. You can have the powdered thing that you have been working with by facing it to a conveyor belt upwards. This phase is done to combine the power to the wet ink, thereby producing an embossing effect.
You need to spread its grains while the ink is still good as wet. This is to ensure that the powder sticks permanently and neatly to damp ink. When this melts, both ink and paper will be bonded to it. Its metallic or somehow transparent color and appearance undergo change as it is placed on top of the ink. Hence, its color in the finished product will just follow the color of an ink below it. Despite its transparent color, it is made up of bronze, gold, silver, and glittered ingredients.
As a result, a suitable metal color has dominated. It is said to possess a characteristic which is similar to the effects of embossing. When this is heated, a glossy or shiny surface, which is raised, is formed due to the slight swell and fuse caused by the heat itself.
The rest of this article will explain to you, readers, what are the tips and factors that you should not take for granted when using this thing. Always remember that usage of something has limitations. For easy understanding, you will be acquainted with two general factors which include the selection of printable mediums or papers and manipulation in heat application.
The first factor which you have to consider, in general sense, is the paper itself. It is the medium which you will be using. This is why it is a top consideration. When you are talking about texture, a smooth paper is the best one to work on. Using it results in the best output. A grained paper may be a good idea, should you want to have an artistic merit, but reproducing such design or pattern which you were creating in other grained papers requires consistency. Maintaining such consistency is way too difficult.
Selecting the type of printable paper to use, Part Two. This part pertains to what the printables are made of. While using those that are made without pores, holes, and loose parts are the best ones to use, those with fibers or strands that are obviously loosed is the worst thing to emboss with for a powder will occlude in the surface, producing a low quality output. For the gummed ones, though they are guaranteed to be thermographed, have them tested before heating it to know whether or not its surface could survive heat for long periods.
Adjusting the settings and speeding it using a conveyor that comes with a belt, you can already control the heat which will be applied. It is dependent on factors like the humidity, thickness and texture of the printed paper or material, coarseness of a powder, a voltage supplier of electrical energy, and many others. Testing is done to determine the amount required for heating, provided that all of those mentioned factors are taken into careful consideration.
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